Cross-text questions put two writers on one subject and ask what passes between them. They are among the harder questions on the section, and the reason is almost always the same: the disagreement is rarely a flat contradiction, and a reader expecting one will overshoot. Ten pairs here, each with both passages printed in full, and the relationship between them is different nearly every time.
The most useful of these relationships is the one where the second writer grants the first writer's finding and refuses what the first takes it to show. Digital art sales have risen — the second writer says so in his opening clause — and painting is not thereby obsolete, because the rise belongs to one part of the market and not to another. A reader who registers only that the two disagree will reach for a choice that has the second writer denying the sales figures, which is precisely what he concedes. A second pair works the same way with evidence rather than data: two writers look at the same carvings on the same temple wall, agree entirely about what is carved there, and differ about what kind of vessel it is and therefore what kind of society made it.
Two other shapes recur. One writer offers a different cause for an observation both accept, as when beetles killing a forest turn out, on the second account, to be finishing trees that drought had already weakened — a demotion rather than a refutation, and the wrong answers include denying that the beetles matter at all. And one pair agrees almost entirely and parts at a single word: the steam engine was crucial, says the second writer, but "sole" is doing all the work in the first writer's sentence, and that one word is the whole dispute.
The questions that ask what both writers would accept are the mirror image of this skill, and they are answered by finding the concession inside the disputing sentence. A writer who says a building is brutalist "regardless of the facade's transparency" has conceded the transparency in the act of dismissing it, and that concession is the common ground. Each explanation states what each writer holds in a clause before comparing them, which is the order worth practicing.
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Consider these two passages. The first writer: "The invention of the steam engine was the sole catalyst of the Industrial Revolution, since it supplied the power needed to mechanize textile production." The second writer: "The steam engine was certainly crucial, but the Industrial Revolution depended just as much on new financial instruments." On which point would the two writers most likely disagree?
Consider these two passages. The first writer: "The discovery of the Vespera ruins in the desert suggests that the ancient Kaelen civilization was primarily a maritime culture, since the intricate carvings of vessels on the temple walls indicate a deep reverence for the sea." The second writer: "The Vespera carvings are impressive, but the vessels they depict are of a kind used exclusively for river transport, which points to a river-based society rather than a maritime one." Based on what each writer argues, how would the second writer most likely respond to the first writer's claim that the Kaelen were a maritime culture?
By asserting that the evidence the first writer cites in fact supports a different classification of the culture.
The first writer takes the carvings as evidence of a seafaring people; the second takes the same carvings, identifies the vessels as river craft, and reaches a different classification. That is a dispute about what one body of evidence shows rather than about whether it exists. The suggestion that the carvings are too damaged to read contradicts a writer who describes their contents in detail. The nomadic reading attributes to the second writer a position neither passage contains, and one that would undercut his own river-based conclusion. And the symbolic reading has the second writer conceding that the ships are seagoing, which is exactly the point he disputes.