Take this Quiz: ACT Reading — humanities, and the attitude a writer never states | Zestly

Question 1

"The architecture of the Veldt Library is a triumph of aggressive geometry. Its sharp, obsidian angles cut into the skyline like a jagged blade, demanding submission from the surrounding soft-edged residential streets. I find myself walking past it with a sense of unease, as if the building were a predator waiting for the sun to set. It does not invite; it commands. It is a monument to a designer who clearly loathed the comfort of the human form." What is the writer's attitude toward the Veldt Library?

Accepted Answer

Hostility toward a building he finds menacing.

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Indifference to what it does to the neighborhood.

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Curiosity about what the designer intended by it.

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Admiration for the daring of its structure.

Question 2

"The architecture of the Veldt Library is a triumph of aggressive geometry. Its sharp, obsidian angles cut into the skyline like a jagged blade, demanding submission from the surrounding soft-edged residential streets. I find myself walking past it with a sense of unease, as if the building were a predator waiting for the sun to set. It does not invite; it commands. It is a monument to a designer who clearly loathed the comfort of the human form." What is the writer chiefly arguing about the building?

Accepted Answer

That it was designed in a way that pushes people away rather than welcoming them.

Answer

That it is an engineering achievement that will come to define the city.

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That its designer took his forms from the natural world.

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That it is a practical, well-planned space for a modern city.

Question 3

"The architecture of the Veldt Library is a triumph of aggressive geometry. Its sharp, obsidian angles cut into the skyline like a jagged blade, demanding submission from the surrounding soft-edged residential streets. I find myself walking past it with a sense of unease, as if the building were a predator waiting for the sun to set. It does not invite; it commands. It is a monument to a designer who clearly loathed the comfort of the human form." What does the writer say happens when he walks past the library?

Accepted Answer

He feels uneasy, as though something were waiting for dark.

Answer

The building draws him in, against his better judgment.

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He finds himself admiring how it meets the residential streets.

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He waits outside it for the sun to go down.

Question 4

"The performance of 'The Silent Bell' by the Marrow Troupe was less a play and more a funeral for the art of dialogue. Actors stood like statues, refusing to meet each other's eyes, while the audience sat in a silence so heavy it felt physical. I recall a time when theater was a conversation, a vibrant exchange of ideas that sparked life in the room. Now, we are expected to find profundity in the absence of connection. It is a hollow exercise in self-importance that mistakes stagnation for depth." What is the writer's memory of earlier theater doing in the review?

Answer

Explaining where the Marrow Troupe's style came from.

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Suggesting that the audience is to blame for the flatness of the room.

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Supplying background a reader would need to follow the plot.

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Setting up a standard against which the evening is found wanting.

Question 5

"The performance of 'The Silent Bell' by the Marrow Troupe was less a play and more a funeral for the art of dialogue. Actors stood like statues, refusing to meet each other's eyes, while the audience sat in a silence so heavy it felt physical. I recall a time when theater was a conversation, a vibrant exchange of ideas that sparked life in the room. Now, we are expected to find profundity in the absence of connection. It is a hollow exercise in self-importance that mistakes stagnation for depth." As the writer uses it, what does the word "heavy" mean in the phrase "a silence so heavy it felt physical"?

Answer

Weighing a great deal on a scale.

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Falling hard and fast, as rain can.

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Pressing on everyone in the room, hard to bear.

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Slow and dull in its movements.