This material covers three more anthology poems that are free of copyright and can therefore be quoted in full: Robert Browning's 'My Last Duchess' (1842), Alfred Tennyson's 'The Charge of the Light Brigade' (1854) and Wilfred Owen's 'Exposure', written during the First World War and published after Owen's death in 1918. In AQA's Power and Conflict cluster, for example, all three sit alongside the modern poems you may be asked to compare them with.
The questions start with the speakers and situations: the Duke of Ferrara showing an envoy the portrait of his late wife while arranging his next marriage; a Poet Laureate writing at home, from reports, about the cavalry charge at Balaclava in the Crimean War; and soldiers freezing in the trenches while the fighting stays far away. You then examine how each poet's choices of form create meaning — Browning's dramatic monologue in rhyming couplets whose enjambment makes a controlling speaker sound casual; Tennyson's galloping dactylic rhythm, repetition and final imperatives to 'Honour' the soldiers; Owen's five-line stanzas, pararhyme and the refrain 'But nothing happens' — and at key images such as 'I gave commands; / Then all smiles stopped together', 'Some one had blunder'd' and the wind that 'knife[s]' the men.
Context is used where it sharpens interpretation: Renaissance aristocratic power and Victorian interest in it, Tennyson's public role and the newspaper reporting of the Crimean War, and Owen's direct experience as an officer on the Western Front. The comparison questions practise the pairings that work best: power over people (the Duke) set against the power of nature (Exposure), and war as glory (Tennyson) set against war as futile suffering (Owen).
The quiz asks one-answer questions about interpretation and method, always quoting the lines concerned. The flashcards drill facts, quotations and terms such as dramatic monologue, dactyl and pararhyme. The printable written work contains eight open questions — from analysing one image to planning a full comparison — each with a model answer and key points, so you can practise writing about the poems from memory as the closed-book exam requires.
Practice material written by Zestly, based on the DfE GCSE English Literature subject content (poetry since 1789) and the poems as set in exam-board anthologies (for example the AQA Power and Conflict cluster). Quotations are from public-domain texts: Browning, 'My Last Duchess' (1842); Tennyson, 'The Charge of the Light Brigade' (1854, Maud and Other Poems, 1855); Owen, 'Exposure', Poems (1920).
Robert Browning's 'My Last Duchess' (1842) opens: 'That's my last Duchess painted on the wall, / Looking as if she were alive.' Who is speaking, and to whom?
The Duke of Ferrara, speaking to an envoy sent by a Count whose daughter the Duke intends to marry.
The poem is a dramatic monologue: the Duke shows the portrait to a silent listener, an envoy of 'The Count your master', while marriage arrangements for the Count's daughter are under way. The Duke's words reveal far more about him than he intends.